Enjoy headline entertainment in our state-of-the-art 900 seat performance hall, complete with VIP balcony room, where entertainers will perform in a unique, intimate setting and also serve as a banquet hall.

Tickets can be purchased on Ticketmaster, or in person at our retail store.

If you are a band or solo artist interested in booking a show in the Paradise Theater or Margaritaville Restaurant please fill out our Entertainment Request Form

June

JUNE 20
MICKEY GILLEY BUY TICKETS Paradise Theater, Bossier City, LA
Saturday, June 20, 2015 (8:00 PM)
 
Tickets on sale now at Ticketmaster.com and the Margaritaville Retail Shop.
Performer Info
Mickey Gilley Mickey Gilley has accomplished what most artists’s only dream of — a long and fulfilling career marked by loyal fans and financial success. One of the secrets behind Mickey's longevity is his ability to balance the heart of an entertainer with the brain of a businessman. He hasn't had to "reinvent" himself to stay in the game. He has stayed current with the times, but Mickey knows what not to change. He has treated his fans with the same respect throughout the years, maintained his consistent high-quality performances, selected classic songs that withstood the fickleness of trends and tapped into business opportunities with an uncanny foresight. 
 
The landmark Texas nightclub he helped create in 1971 is the perfect case in point. Gilley's Club was the sensation of the era: the "world's largest honky-tonk." It was a launching pad for some of country music's biggest stars and the dominating force behind the "Urban Cowboy" craze that swept the country in the early '80s, following the release of the John Travolta movie filmed in the Pasadena, Texas, nightclub. 
 
Today, more than a decade after the club burned to the ground in 1989, Gilley's — like its namesake — just keeps rising from the ashes to retain its legendary status. As the new century dawned, developers announced the rebirth of Gilley's as "Gilley's Dallas," an entertainment complex that is part of the "South Side" development in the Texas metropolis. Bigger and better than ever, the new Gilley's contains a 2,000-seat showroom featuring national headline acts. 
 
"I knew we had done something extraordinary at the time, especially after Paramount filmed Urban Cowboy in the club," Mickey says. "But I had no idea Gilley's would outlast the millennium. This is really incredible." 
 
In addition to Gilley's Dallas, there is a Gilley's Club at The New Frontier Hotel in Las Vegas. This gives Gilley's a presence on the world-famous Las Vegas Strip. Urban Cowboy was mounted as a musical, which ran on Broadway for part of 2003. The Gilley's Club logo was prominent on the Broadway stage. 
 
 Even as he was helping to build the original Gilley's Club into the landmark honky-tonk of the century, Mickey was also launching an incredible career as an entertainer and recording artist. He scored his first string of consecutive number-one hits in the mid-'70s — "Roomful of Roses," "I Overlooked An Orchid," "City Lights," "Window Up Above," "Don't The Girls All Get Prettier At Closing Time" and "Bring It On Home To Me." He performed traditional honky-tonk songs long before the style returned to favor in Nashville. In the '80s, he became a smooth crooner of country love songs — "That's All That Matters To Me," "Headache Tomorrow, Heartache Tonight," "I'm Just A Fool For Your Love," "Lonely Nights," "Put Your Dreams Away" and "Paradise Tonight" — and distinctive updates of such romantic classics as "Stand By Me," "True Love Ways," "You Don't Know Me," "Talk To Me" and "You've Really Got A Hold On Me." 
 
In all, Mickey has achieved a remarkable 39 Top-Ten country hits, with 17 of those songs reaching the No. 1 spot on the country charts. In 1976, he swept the ACM Awards, hauling home trophies for Entertainer of the Year, Top Male Vocalist, Song of the Year, Single of the Year and Album of the Year. He was ranked among the top-fifty country music hitmakers in the 1989 book written by record research historian Joel Whitburn. 
 
Mickey also guest-starred on numerous popular television series, including Murder She Wrote, The Fall Guy, Fantasy Island and Dukes of Hazzard, as well as featured appearances on 20/20, The Grammy Awards Show, The American Music Awards, Solid Gold, The Tonight Show and several others. He is among a select-few country singers who have achieved the honor of being recognized with a star on the Hollywood Walk of Fame. In addition, he was a featured attraction in Las Vegas, Reno and Atlantic City, which proves how universal his music is to American audiences. 
 
And then there was Gilley's Club. The forerunner of Hard Rock Cafe and other theme restaurants so popular today, it also helped elevate country music to new heights of popularity. 
 
"Gilley's wasn't planned. It evolved into what it became," Mickey says. "We started out seating 750 people, but because of a local television show I had in the Houston market, the crowds began to grow, and we started adding on to the club." 
 
Esquire magazine caught wind of the excitement being created by the Pasadena nightclub and featured it in an article called "The Ballad of the Urban Cowboy." Intrigued by the piece, Paramount Pictures contracted to use Gilley's as the centerpiece of a motion picture with Saturday Night Fever star John Travolta. 
 
"I never really believed that Paramount was going to do a film based on that article and shoot it at Gilley's," Mickey shares. "I still didn't believe it after we signed the contracts. Then one day I was in the recording studio that we had on the grounds, and the Paramount trucks started rolling in. I thought, 'Wow, they're really going to do it.'" 
 
Opening his Branson theater in 1990, is another example of Mickey's visionary business ability. Just as he was a pioneer in the area of country dance clubs, Mickey was among the first entertainers to recognize the potential of the Ozark music Mecca. When his first Branson theater burned down in 1993 (deja vu!), Mickey rebuilt on the same spot, updating the venue and the restaurant he had opened next door in 1992. He expanded his business ventures further in 2002, by opening Gilley's Restaurant in his hometown of Pasadena, Texas. 
 
"Branson works because it provides the best conditions for both the fans and the entertainers," Mickey notes. "The fans get to see us under the best setting possible as far as seeing a singer. The theaters have good seats, and we have set up the best stage with state-of-the-art sound and lights. We don't have to break down and set it back up day after day while we travel night after night, so everyone on stage is rested and ready to entertain. It's a quality situation for everyone."
 
In 2003, Varese Sarabande Records released Invitation Only. Mickey had recorded this album in 1989 and 1990. Several of the songs on the album are now featured in his show. Sony Music also put out Mickey Gilley-16 Biggest Hits on their Legacy imprint. The CD includes all 17 of Mickey's No. 1 recordings in the chronological order that they were released. 
 
Mickey has become successful in Branson in the same way that he was successful as a recording artist: by giving his audiences what they want. His is a timeless talent keyed to the response of his fans. 
 
Mickey's first musical influence as a boy growing up in Ferriday, La., was his piano-pounding cousin, Jerry Lee Lewis. He grew up close to Jerry Lee and another famous cousin, Jimmy Swaggart, even as he snuck up to the windows of clubs to absorb the haunting sound of Louisiana rhythm-and-blues.
 
Jerry Lee was the inspiration for Mickey's decision to entertain people for a living. At age 17, shortly before his cousin scored his first big hit, the youngster moved to Houston to work in construction. Mickey went to see Jerry Lee in concert in Houston and took him to the airport after the show. "He pulled out a big wad of hundred-dollar bills, and it made me decide right then that I was in the wrong business," Mickey says with a laugh. "The problem was, I was trying to be a Jerry Lee clone. Then a guy named Jim Ed Norman [now the president of Warner Bros./Nashville] came into my life. Jim Ed got me out of the shadow of Jerry Lee by giving me songs that appealed to a bigger audience. He helped me find my musical identity."
 
Mickey began by performing in the Houston nightclubs. He recorded his first song in Memphis for Dot Records and later performed as a singer and pianist in cities throughout the South. Eventually, his trek returned him to the Pasadena area, where he took up residence at the Nesadel Club and quickly developed into one of the city's most popular acts. He opened Gilley's in 1971, and started hitting the pop and country charts with a bang in the mid-seventies. 
 
The entertainer continues to maintain a residence in Pasadena, Texas. His hobbies include golf, walking and flying his own airplane. 
 
"I enjoy performing and singing as much these days as I ever have," Mickey says. "I joke that I'm semi-retired. Of course, I work just as hard as always. The thing about experience is, it helps you keep your priorities straight. I'm interested in quality now, not quantity. I make sure my business and my life are set up so I can get the most enjoyment out of the things I love. And the thing I love the most is getting on stage and performing a good show for people."
JUNE 26
FINAL FRIDAY: CHIPPENDALE'S BUY TICKETS Paradise Theater, Bossier City, LA
Friday, June 26, 2015 (8:00 PM)
 
Tickets on sale now at Ticketmaster.com and the Margaritaville Retail Shop.

July

JULY 03
ROBERT EARL KEEN BUY TICKETS Paradise Theater, Bossier City, LA
Friday, July 3, 2015 (8:00 PM)
Performer Info

“The road goes on forever ...”

It’s not always easy to sum up a career — let alone a life’s ambition — so succinctly, but those five words from Robert Earl Keen’s calling-card anthem just about do it. You can complete the lyric with the next five words — the ones routinely shouted back at Keen by thousands of fans a night (“and the party never ends!”) — just to punctuate the point with a flourish, but it’s the part about the journey that gets right to the heart of what makes Keen tick. Some people take up a life of playing music with the goal of someday reaching a destination of fame and fortune; but from the get-go, Keen just wanted to write and sing his own songs, and to keep writing and singing them for as long as possible.

“I always thought that I wanted to play music, and I always knew that you had to get some recognition in order to continue to play music,” Keen says. “But I never thought of it in terms of getting to be a big star. I thought of it in terms of having a really, really good career and writing some good songs, and getting onstage and having a really good time.”

Now three-decades on from the release of his debut album — with well over a dozen other records to his name, thousands of shows under his belt and still no end in sight to the road ahead — Keen remains as committed to and inspired by his muse as ever. And as for accruing recognition, well, he’s done alright on that front, too; from his humble beginnings on the Texas folk scene, he’s blazed a peer, critic, and fan-lauded trail that’s earned him living-legend (not to mention pioneer) status in the Americana music world. And though the Houston native has never worn his Texas heart on his sleeve, he’s long been regarded as one of the Lone Star State’s finest (not to mention top-drawing) true singer-songwriters. He was still a relative unknown in 1989 when his second studio album, West Textures, was released — especially on the triple bill he shared at the time touring with legends Townes Van Zandt and Guy Clark — but once fellow Texas icon Joe Ely recorded both “The Road Goes on Forever” and “Whenever Kindness Fails” on his 1993 album, Love and Danger, the secret was out on Keen’s credentials as a songwriter’s songwriter. By the end of the decade, Keen was a veritable household name in Texas, headlining a millennial New Year’s Eve celebration in Austin that drew an estimated 200,000 people. A dozen years later, he was inducted into the Texas Heritage Songwriters Hall of Fame along with the late, great Van Zandt and his old college buddy, Lyle Lovett.

The middle child of a geologist father and an attorney mother, Keen was weaned on classic rock (in particular, the psychedelic blues trio Cream) and his older brother’s Willie Nelson records — but it was his younger sister’s downtown Houston celebrity status as a “world-champion foosball player” that exposed him to the area’s acoustic folk scene. By the time he started working on his English degree at Texas A&M, he was teaching himself guitar and setting his poetic musings to song. That in turn led to a college fling with a bluegrass ensemble (featuring his childhood friend Bryan Duckworth, who would continue to play fiddle with Keen well into the ‘90s) and front-porch picking parties with fellow Aggie Lovett at Keen’s rental house — salad days captured in spirit on the Keen/Lovett co-write, “The Front Porch Song,” which both artists would eventually record on their respective debut albums.

JULY 30
HYPNAUGHTY: GONE WILD BUY TICKETS Paradise Theater, Bossier City, LA
Thursday, July 30, 2015 (9:00 PM)

 

Join us Thursday, July 30 at 9pm for Thom Kaz' new show, Hypnaughty: Gone Wild! 

JULY 31
HYPNAUGHTY: GONE WILD BUY TICKETS Paradise Theater, Bossier City, LA
Friday, July 31, 2015 (9:00 PM)

 

Join us Friday, July 31 at 9pm for Thom Kaz' new show, Hypnaughty: Gone Wild! 

August

AUG 01
HYPNAUGHTY: GONE WILD BUY TICKETS Paradise Theater, Bossier City, LA
Saturday, August 1, 2015 (7:00 PM)

 

Join us Saturday, August 1 at 7pm for Thom Kaz' new show, Hypnaughty: Gone Wild! 

AUG 22
LYLE LOVETT BUY TICKETS Paradise Theater, Bossier City, LA
Saturday, August 22, 2015 (8:00 PM)
Tickets on sale May 29.
Performer Info
A singer, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers. Lovett has appeared in 13 feature films, and on stage and television. Among his many accolades, besides the four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, and was recently named the Texas State Musician. 
 
Garden & Gun recently called Lovett “one of America’s most beloved singer/songwriters,” and he was featured in the coveted “What I’ve Learned” column in the February 2012 issue of Esquire.
 
Lovett has been touring in support of Release Me since its release in February, 2012. The album was #1 for several weeks on the Americana charts. Produced by Nathaniel Kunkel and Lovett, Release Me represents the end of an era as it was his last record for Curb/Universal Music Group after being on the label for his entire career. Release Me is quintessential Lyle, mixing a smart collection of originals and songs written by some of his favorite songwriters that show not only the breadth of this Texas legend’s deep talents, but also the diversity of his influences, making him one of the most infectious and fascinating musicians in popular music. 
 
Since his self-titled debut in 1986, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. His oeuvre, rich and eclectic, is one of the most beloved of any living artist working today.